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Jeffrey Thomas Fine Art

Home
Curating Exhibitions
PRETTY NOT PRETTY (AGAIN)
Canopy
Passport PDX: Places Real & Imaginary
Pretty Not Pretty
Practiced Exuberance
Material Witness
In Search of Shibui
The Color of Memory
Migration
Tooth & Claw: Recent Paintings and Sculpture by Brian Borrello
Mary Henry: The Fabric of Space
Visions and Revisions: A Five Year Conversation
Jamison/Thomas Gallery: 1985
Dark Matter
Beauty in the Age of Indifference
Gardens of Delight
Sum of its Parts - 2
Sum of its Parts - 1
Collecting Art
Collecting Art
Artwork Acquisition
Collection Building
Conversing with Artists
Curation
Telling Stories
The Early Years
Jamison/Thomas gallery
Museum of Contemporary Craft
Eutectic Gallery
About Jeffrey Thomas Fine Art
Making Contact
Hiroshi_HeaderImage.png

September 13th – October 29th, 2016

Hiroshi Ogawa:

In Search of Shibui

  • Curating Exhibitions
  • PRETTY NOT PRETTY (AGAIN)
  • Canopy
  • Passport PDX: Places Real & Imaginary
  • Pretty Not Pretty
  • Practiced Exuberance
  • Material Witness
  • In Search of Shibui
  • The Color of Memory
  • Migration
  • Tooth & Claw: Recent Paintings and Sculpture by Brian Borrello
  • Mary Henry: The Fabric of Space
  • Visions and Revisions: A Five Year Conversation
  • Jamison/Thomas Gallery: 1985
  • Dark Matter
  • Beauty in the Age of Indifference
  • Gardens of Delight
  • Sum of its Parts - 2
  • Sum of its Parts - 1
Featured
Sep 6, 2016
Sep 6, 2016

Portland, OR. – Jeffrey Thomas Fine Art is pleased to present HIROSHI OGAWA: IN SEARCH OF SHIBUI, an exhibition of wood-fired ceramic vessel forms that are remarkable for both their shape, tones and texture. There is an opening on Tuesday, September 13th with a celebratory reception for the artist in the Gallery from 6-­8 pm that is free and open to the public.

HIROSHI OGAWA: IN SEARCH OF SHIBUI is an engaging exhibition of a master ceramic artist who has been making exquisite ceramic vessel forms which are timeless and yet reflecting a heritage of craftsmanship when it comes to wood-­firing clay. With the help of the local community, and fellow potters, Hiroshi built a two-chambered wood firing kiln and christened it "Hikarigama", (“the illuminated kiln”). In the 35 years of living in Elkton, Oregon, raising two (now grown) children, he continues to experiment and explore the mysterious and controlled “accidents” in his practice of wood­-firing clay. 

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Sep 6, 2016

Also showing: Ellen Wishnetsky-Mueller: Material Witness

VIEW AVAILABLE ART FROM EXHIBIT HERE

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Jeffrey Thomas Fine Art, 2219 NW Raleigh St, Portland, OR, 97210, United States(503) 544-3449